Pudhiya Aatchi is an action-drama-mature film directed by Velu Prabhakaran starring Anandaraj, Sarath Babu, Radhika Sarathkumar and others in the lead roles. Marappan is the leader of a rebel group who kills corrupt politicians. An evil politician misuses the name of this group to kill innocent people. Officer Vivekanandan is appointed to arrest them. more»

Prema Sallapam is a 2006 Indian Telugu film, directed by Ajith and Produced by Sreeram. Y. The film stars Reshma, Hema and Praveen in lead roles. more»

Varuvaan Dheeran is a 2010 Indian tamil film directed by Sreenivas and produced by Narsingh Rao. The film stars Nagendra Babu, Ramya Krishnan, Prema and Sunil Sharma in the lead roles. more»

Mohan falls in love with beautiful Devi and professes his love for her. Devi initially rejects and humiliates Mohan but later accepts his marriage proposal on learning about his true feelings. Meanwhile, Devi s brother Dr.Nandlal finds a reason to stall their marriage but this doesn't deter Devi who asks Mohan to marry her secretly. What follows is a cruel twist of fate. more»

Mangalam Nerunnu is a 1984 Indian Malayalam film, Directed by Mohana and Produced by Purandan Films. The film stars Nedumudi Venu, Madhavi, Shanthikrishna and Sreenath in lead roles. The film had musical score and songs composed by Ilayaraaja. more»

Witness is a 1995 Indian Tamil film, directed by Thakkali Srinivasan and Produced by T. G. F. Media Systems LTD. The film stars Nizhalgal Ravi, Gautami, Raghuvaran and Aamani in lead roles. The music of the film was composed by Premi and Seeni. more»

Attimari is a 1981 Indian Tamil film directed by J. Sasikumar and produced by Pushparajan. The film stars Prem Nazir, Jayabharathi, Sreenath and Mohanlal in the lead roles. The film had musical score by KJ. Joy. more»

Pooviriyum Pulari is a 1982 Indian Malayalam film, directed by G Premkumar and Produced by TS Roy and Prasad Chandran. The film stars Mammootty, Ambika, Shankar, Rajkumar, Rajyalakshmi, Nellikode Bhaskaran, Prathapachandran, Sukumari, Captain Raju and Mala Aravindan in lead roles in lead roles. The film had musical score by Jerry Amaldev. more»

The movie is a humorous take on a marital discord caused by the husband's inferiority complex.It gives out the message that, like a Vadakkun Nokki Yanthram(Compass) one should not be unidirectional. more»

Watch the full movie, Malappauram Haji Mahanaya Joji online, only on Eros Now. Kunjalikutty (Siddique) gets both a visa to Dubai and a job offer at a school managed by his father's friend, Malappuram Hajiyar (Madhu) in Malappuram at the same time. His father refuses to let him go to Dubai and wants him to take the teaching job. So Kunjalikutty sends his friend Joji (Mukesh), a handsome and well-educated Hindu, in his place to the school, and goes to Dubai without his parents knowledge. Malappuram Hajiyar is a bold and religious man having a huge public appeal, with no tolerance towards deception. Thus people approach him with awe. Hajiyar's code of conduct scares Joji to the core that he has to conceal his own identity while living as Kunjalikkutty's impostor. A hilariously hostile relationship develops between Joji and Aliyar, who is the physical education teacher, and later, Joji's roommate. Joji soon gets into the good books of Hajiyar, while Aliyar remains stuck in the rut of being too slack for a teacher, for instance, coming late for the school. Things do not go easy for Joji. He nearly blew his cover at times, which triggers Aliyar's suspicion. On one such occasion, he is accidentally confronted by Gouri (Maathu), who hails from a reputed Hindu family. The story enters a serious turn, when Kunjalikutty shows up, telling Joji that he has become a victim of a visa scam run by Jafer Khan (Rizabawa), who now targets Kunjalikutty for extermination. Unable to face his own strict father, while avoiding Jafer Khan's goons, Kunjalikutty decides to stay with Joji, as Joji. Thus Kunjalikutty and Joji lives together with Aliyar, under swapped identities. Aliyar, who cannot stand Joji further, becomes desperate to get into the bottom of things. This leads to situations, which form the rest of the film. more»