Vasantha Poornima is a 1993 Indian Kannada film, directed by Bhargava and produced by S A Srinivas. The film stars Ambarish, Priyanka, Balaraj, Anand, K S Ashwath, Ramesh Bhat, Shanimahadevappa, Naveen in lead roles. The film has musical score by Shankar-Ganesh. more»

Sunday is a Hindi comedy movie about Sehar (Ayesha Takia) who is unable to remember a particular Sunday in her life & then is suspected of a murder. A.C.P Rajveer (Ajay Devgn) takes up the case to solve the mystery & encounters that Sehar had interacted with many people & all of them spotted Sehar at the crime scene. Watch Sunday to find out the events which entangled Sehar in a murder case. more»

Sehar's (Ayesha Takia) world turns topsy-turvy when she gets a clue about the missing Sunday of her life, which points to a possible violent attack on her. A.C.P Rajveer (Ajay Devgn) takes up the case to sort out the complicated and jumbled up threads of Sehar's life. In the process of solving Sehar's case, he discovers that on Sunday, different people interacted with her and amongst them, one could be the accused. The lot included Ballu (Arshad Warsi), the taxi driver and his friend, Kumar (Irrfan Khan), a struggling NSD actor, among others. While trying to solve the puzzle, Rajveer stumbles upon a murder case whose clues hold up Sehar to be the culprit. more»

Sehar's (Ayesha Takia) world turns topsy-turvy when she gets a clue about the missing Sunday of her life, which points to a possible violent attack on her. A.C.P Rajveer (Ajay Devgn) takes up the case to sort out the complicated and jumbled up threads of Sehar's life. In the process of solving Sehar's case, he discovers that on Sunday, different people interacted with her and amongst them, one could be the accused. The lot included Ballu (Arshad Warsi), the taxi driver and his friend, Kumar (Irrfan Khan), a struggling NSD actor, among others. While trying to solve the puzzle, Rajveer stumbles upon a murder case whose clues hold up Sehar to be the culprit. more»

Mumtaz is a village girl whose family is killed in communal riots. She moves to Mumbai with her uncle, the only family member she has left. They are desperately poor and her uncle persuades her to become a bar girl at Chandni Bar. This is merely temporary, he promises, until he gets a job. Mumtaz is a shy girl who loathes the work, but she forces herself to dance and flirt. However, the uncle doesn't keep his promise; he lives on her earnings, drinking them away, and never gets a job. He adds one final, unforgivable crime to the list when he gets drunk and rapes her. By this time she has caught the eye of a gangster called Potiya Sawant. When she tells Potiya what her uncle did to her, Potiya decides to "defend her honor." Potiya shoots the uncle. Mumtaz, bereft of any male protection in the dangerous slums, marries Potiya. She is determined to make the best of things. She leaves the bar and stays home to raise her two children, whom she carefully protects from the world of prostitution and gangs. However, her world unravels again when Potiya is killed. She has to return to the bar to support her children. In the end, she cannot protect them from their sordid surroundings. Her son becomes a killer, her daughter becomes a bar dancer in her turn, and Mumtaz turns to prostitution in a tragic attempt to save her son. more»

Nammal is another campus movie from Kamal after Niram. What is different this time is Kamal introduces new faces Siddharth and Jishnu. Kamal provides glimpses of the new campus with adventure in his movie with these debutants.Snehalatha (Suhasini) takes charge as the Principal in a college where Shyam (Siddharth) and Sivan (Jishnu) are the heroes. Shyam and Sivan are fun filled characters as well as naughty. Aparna (Renuka Menon) is teased and ragged by the duo, who happens to be the daughter of Principal's friend. Aparna complaints and Snehalatha takes action against Shyam and Shivan. Soon to her surpurise she discovers that Shyam and Shivan are orphans, hardworking and their guardian is a priest (Balachandra Menon). But the real twist to the story happens when Snehalatha finds out that one of them is her son. Suhasini has done a splendid job backed by a strong character. Music by Mohan Sitara's and script by Kalavoor Ravi kumar. more»